RINGS

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{cross-posted to Three Imaginary Girls

It’s been 12 years since The Ring 2 (TWELVE?!?! YEARS?!?!) so I suppose it was about time for Samara and her f’ed up psychic video feed to resurface, because we need something other than reality to terrify us in 2017 – amirite?

Terrify isn’t exactly the word I would use here, but Rings does have its moments — I just wish its moments had been closer together in say, a tighter 60 minute package instead of a looooooooong and slowly drawn out 1 hour and 45 minute one.

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Phantasm: Ravager – Reggie the ice cream man does not mess around

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{Cross-posted to Three Imaginary Girls}

“I could really go for a Rocket Pop right now”

So begins the saga of Reggie in Phantasm: Ravager, the fifth — and apparently final — installment of the Phantasm universe. The pony-tailed ice cream truck driver has been on a journey to defeat The Tall Man and save his friends from otherworldly possession and freaky rabid Jawas (aka: Lurkers) since 1979, alternately kicking-ass, singing songs, and hooking up with random chicks while driving a sweet 1971 Hemi ‘Cuda.

In Ravager, Reg enters the scene wandering through the dessert in his dirty, torn, and familiar white ice cream man uniform wielding a custom-made shotgun. He’s in search of BFFs Mike & Jody, and also trying to find out who the hell had the balls to steal his car from its hiding place. Luckily, he finds it just as those flying killer spheres show up to cause him all kinds of trouble. But that’s just the beginning … (more…)

The Neon Demon

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{cross-posted to Three Imaginary Girls} 

“I know how I look. What’s wrong with that?”

Last night I finally go to see Nicolas Winding Refn’s epic shock porn horror art piece, The Neon Demon, which many of the people at Cannes deemed as “trash,” and walked out of. A few people in the theater with me last night for the preview screening also walked out — however, thought Refn’s film was pretty brilliant both visually and in its hilarious skewering of a problematic industry I’ve never been able to understand or embrace.

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IT FOLLOWS

Maika Monroe in IT FOLLOWS

{Cross-posted to Three Imaginary Girls}

“It’s slow, but it’s not dumb.” ~ Hugh, IT FOLLOWS

Imagine going on a date with someone you really, really like, enjoying a romantic lakeside talk, cozying up in the car for some hot sex—then having that person drag you out into the middle of nowhere, tie you to a chair, and explain that by having sex they’ve infected you with something that will FOLLOW you. And you have to keep running from it, because it won’t stop until it catches up to you and kills you. (more…)

TUSK

1297588852068_ORIGINAL{cross-posted to Three Imaginary Girls}

A horror movie from Kevin Smith? Based on one of his smodcasts? About a guy who lures unsuspecting victims to his home in order to turn them into … walruses?

Yup. Tusk is all of those things. And while the premise IS ridiculous, the first two-thirds are actually pretty terrifying, and then it all falls apart thanks to a cameo by a high-profile star who really, really, really loves to wear fake noses and adopt funny accents.

At the start, we meet podcaster Wallace Bryton (Justin Long). Wallace is kind of a douche; his “Not-see Party” podcasts are built around making fun of unfortunate souls on the internet—like a boy who cuts his own leg off with a sword—in which he travels to meet them in person and then comes back home, describing his adventures to his podcasting buddy, Teddy Craft (Haley Joel Osment). (more…)

Junk Bonds: The Return of Junk Bucket

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This is one of those rare instances where I’ve seen a sequel *before* I’ve seen the original, but in the case of this splatter-filled horror comedy, I think it’s fine. I’ll eventually get around to watching Stephen Lange’s first feature: Junkbucket—and based on its sequel: Junk Bonds: The Return of Junk Bunket, I’m sure I’ll like it just as much!

Writer and Director Lange uses his horror knowledge to drop some great tributes to classic splatter flicks, making this 2013 film feel like something that could have been made in the 70s or 80s … and I mean that in the most flattering way possible.

The story for Junk Bonds closely resembles 1974’s The Texas Chainsaw Massacre, only instead of Leatherface, the Big Bad is Junkbucket: a man who’s got his own “junk” sewn to his face instead of a regular nose, wears his victim’s faces stretched over a bucket, and whose weapon of choice is a phallic axe/club combo. (more…)

31 Horror Movies in 31 Days …. Ish

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So much for getting this all wrapped up last October! Excuses are lame, so I’m not going to make them. Instead, how about I finish what I started by giving you the scoop on the rest of the Stephen King adaptations I’ve seen.

{side note: even though I LOVE The Shawshank Redemption, The Green Mile, Stand by Me, and Dolores Claiborne, I don’t really consider them horror so I didn’t include them in this list}

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I really wanted to like this one, because John Cusack! And Samuel L. Jackson! And a creepy haunted hotel! But unnnnnnnggggggh….I hated it. The special F/X were pretty boss, but the plot is a mess, the acting is just plain NOT good, and the chosen ending (out of several alternatives) was pretty fucking awful. I know there are a ton of people who love it, though…maybe they appreciate it as over-the-top entertainment? So while I’d say SKIP IT, I don’t know, you guys. You might like it.

Apt Pupil
It’s been awhile since I watched this one, but I remember being really impressed with how the story was translated on screen. Ian Mckellan is postivitely terrifying as Kurt Dussander, and Brad Renfro (poor Brad Renfro!) is equally so as his student? Admirer? Hater? Who knows. This is one of the stories that I was really into when I was a kid, so a lot of the nostalgia I have about Different Seasons is probably leaking over to my love of this adaptation. (more…)

Rigor Mortis (Geung si)

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{Cross-posted to Three Imaginary Girls

I was pretty psyched to watch Rigor Mortis, mostly because I knew that Takashi Shimizu was involved as a producer, and I love all incarnations of his Ju-On films—including the American remake that he also directed—beyond any acceptable level of reasoning.

What I didn’t know, and probably should have going in, is that Rigor Mortis is actually one big in-joke, specifically related to the 1985 horror-comedy Mr. Vampire (which I have never seen). Mortis shares several actors withVampire, and makes reference to both the hopping vampire at its center and the priest who’s tasked with stopping him. (more…)

Italian Horror Double Feature: Argento’s Tenebre and Dracula

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In order to save my sanity (lest it break from too many awful adaptations) I had to take a break from my Stephen King project this weekend to review a couple of horror films by Dario Argento instead.

Ah, Dario Argento. I feel like Italian horror is either something you completely love or completely hate, and I’ve been completely in love with Argento since I viewed Suspiria when I was a teen. After that, it wasn’t long before I was driving down to Scarecrow video every weekend to check out more Argento films, along with some Lucio Fucli and Lamberto Bava (Demons and Demons 2! YES). In order to love Argento, you have to love bad dubbing, melodramatic acting, and watching women’s heads crash through glass windows over and over and over … and over again. Which I do!  (more…)

Sleepwalkers

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Sleepwalkers (1992) is one of those Stephen King movies that hits the sweet spot of horror movie enjoyment: it’s hilariously terrible, but still so ridiculous it’s fun to watch. It also doesn’t hurt that it stars one of my top 5 girl crushes of all time, Mädchen Amick,  and Borg Queen Alice Krige, who was born for to play creepy women that you’re strangely attracted to even though they will most likely murder you in your sleep.

Mick Garris directed this original screenplay written by King for television, and if you pay close attention to the cast, you’ll see cameos from Stephen himself (of course), Clive Barker, Joe Dante, John Landis, and Tobe Hooper, as well as Mark Hamill decked out as a policeman.

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The plot makes absolutely no sense, but that’s somehow okay. Mädchen plays plucky high school student Tanya Robertson, who falls for the hunky blonde new kid in school, Charles. But while Tanya has make-out plans on her mind (one of my favorite lines of bad dialog in this film involves Tanya saying “Oh, we’ll do some RUBBING” after the two of them make plans to go to a cemetery to do some … rubbing. Like on paper. With charcoal.), Charles is actually planning to steal her virgin life essence, which he and his mother need to survive. Why? Well, because they are “sleepwalkers”, aka some kind of giant Were-Cat things. OH, and Charles and Mother Mary are also totally sleeping together (ewwwwwwww). OH OH – and! They can be killed by — wait for it — CATS.

HOLD UP. (more…)