Author: Amie

A Nightmare on Elm Street & Wes Craven’s New Nightmare

  I’ve written a few times before about Wes Craven’s A Nightmare on Elm Street, why it’s so important to me, and why I love it so. But, I’m gonna go ahead and tell you again, and then cover New Nightmare too.  A Nightmare on Elm Street was made in 1984, and I hear teenagers

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Shocker

Craven’s Shocker is similar to the terribleness of Deadly Friend. There are elements of ridiculousness that have elevated it to kind of a cult status—most notably Mitch Pileggi (Skinner!) as foul-mouthed, over-the-top serial killer Horace Pinker, and the rockin’ soundtrack which includes the title song Shocker by The Dudes of Wrath, sort of an 80s

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Horrorvids: Ambassadors “Unconsolable”

Stumbled across this because of my love for Zosia Mamet (loved her on Mad Men, love her on Girls – just LOVE her). The song itself is just ok – catchy enough, but not really my style. However, Director Gabriel Stanley put together an effectively creepy portrait of a deranged killer that goes well with the music.

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Deadly Friend

Another Craven movie I saw in the theater with high hopes, 1986’s Deadly Friend is unfortunately TERRIBLE (not even in a “so bad it’s good” The People Under the Stairs kind of way), and I can only recommend seeing it if you’re having a Bad Movie Night with friends—and have a lot of booze on

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The People Under the Stairs

Another Wes Craven entry for 31 Horror films this October: The People Under the Stairs!  Here’s the thing about The People Under the Stairs: when I first saw it in the theater, I was so disappointed because I thought it was TERRIBLE. But since then, I’ve recognized that it actually swings right past terrible into

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The American Scream

{Cross-posted to Three Imaginary Girls}  The American Scream is one of those amazingly awesome documentaries full of people that make you cry because they are so damn passionate about what they’re doing. And in this case, what they’re doing is setting up “Home Haunts”, which means running full-scale haunted houses every Halloween that they put together themselves, and

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The Serpent and the Rainbow

Ah, The Serpent and the Rainbow. This + The Believers kicked off a teenage obsession with all things voodoo and magic … which I guess would explain why I’ve watched it at least 20 times. It doesn’t hurt, of course, that my beloved Bill Pullman is the star. Serpent is chock-full of insane drug-infused nightmares,

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The Hills Have Eyes

It’s been awhile since I watched Wes Craven’s mutant cannibal family terrorize their unsuspecting victims in the dessert, so I wasn’t sure it would hold up. Having seen the remake more recently, I was thinking that the original version wasn’t quite as disturbing—but I was wrong. While The Hills Have Eyes suffers from some of

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Deadly Blessing

This 1981 entry into the Craven canon unfortunately suffers from extreme BOREDOM.  Deadly Blessing is about Martha (Maren Jenson, who played Athena in the 70s Battlestar Galactica) a woman whose husband is an ex-Hittite, and who is being stalked by a mysterious figure in black who likes to murder people in various ways. It doesn’t

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A Wes Craven Retrospective: The Last House on The Left

This year I thought it would be fun to focus on a few horror directors, so I’m staring with Wes Craven. I’m most familiar with his 80s films, which I saw over and over and over and over—even though I knew some of them were completely terrible. But since I’m a fan of A Nightmare on

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